藏品名称： 　　藏品规格：高：5.6cm宽：23cm 　　区域：国内英国 　　此件造型古雅，釉面莹润，钧窑特有的蚯蚓走泥纹明显而自然，几处红色窑变尤显此洗的高贵与不平凡。此件钧窑洗保存完整，没有任何冲线，是罕见的库出藏品，具有极高的收藏价值 。 　　This Yuan Dynasty Jun kiln washing shape is elegant, glaze is clear and moist, Jun kiln unique earthworm walk mud grain is obvious and natural, several red kilns change to show this washing nobility and extraordinary. This Jun kiln washing and preservation is complete, there is no punching line, is a rare collection, with a very high collection value. 　　元代钧窑器多施以天蓝、灰青、月白色釉，并涂抹含铜釉药，经高温还原后呈现红、蓝、紫色的斑块。由于钧窑釉质肥厚失透，刻、划、印花不易显露，所以除了饰以彩色斑块外，也常采用堆贴花为饰，是古代劳动人民智慧的结晶和民族艺术精品的集中体现。 　　Yuan Dynasty Jun kiln mostly applied sky blue, gray green, moon white glaze, and smeared with copper glaze medicine, after high temperature reduction, showing red, blue, purple patches. Because the glaze of Jun kiln is thick and impenetrable, engraving, engraving and printing are not easy to reveal, in addition to the colored patches, it is also often decorated with decals, which is the crystallization of the wisdom of the ancient working people and the concentrated embodiment of the fine works of national art. 　　钧窑瓷器主要利用含有铜和铁元素的釉料的不同特点，烧制出蓝中带红，含有紫斑或者纯色的天青，月白等千变万化的釉色。钧窑瓷器制作精工,以铜红釉的玫瑰紫、海棠红、天青诸色为代表作。 　　Jun kiln porcelain mainly makes use of the different characteristics of glaze containing copper and iron to produce blue red, purple spot or pure color azure, moon white and other ever-changing glaze colors. Jun kiln porcelain makes Seiko, with copper red glaze rose purple, begonia red, sky green as the representative work. 　　纵观传世的钧瓷，大多以蛋白石光泽的青色为基调，烧制成具有乳浊状不透明的效果。钧瓷还有另一个显著的特征。因为施釉比较厚，导致在烧制过程中出现流釉的现象。形成诸如“蚯蚓走泥纹”等流动的小细线。 　　Jun porcelain, which has been handed down from generation to generation, is mostly based on the cyan color of opalite luster and has the effect of opaciform opaciousness. Jun porcelain has another remarkable feature. Because the glaze is thicker, it leads to the phenomenon of flowing glaze in the firing process. Form small thin lines such as earthworms walking mud lines. 　　元代钧瓷处于一个大胆创新、敢于突破，无所顾忌的时代，打破了“九五之尊、钧不过尺”的皇家御规；装饰技法以贴花、刻花、透雕、浮雕等方式进行，改新了“清纯流畅，无欲而刚”的思维方式，创造了“泼斑施釉”，形成了“聚色成形”“形随意见”的窑变手法，在审美上以粗犷豪放的风格见长，极具有马背上民族的鲜明个性。 　　In the Yuan Dynasty, the porcelain in the Yuan Dynasty was in a time of bold and innovative, daring to break through, and without scruples, and broke the "--No, no, no, no." of the royal palace of the "Pure and smooth, no desire and just". The decoration techniques were carried out in the form of decals, carving, carving, relief, etc., and the thinking mode of the "patchy glaze" was changed. The method of ""polychromatic formation"-shape with the opinion" is formed, and the style of the aesthetic in the form of a bold and bold style is long, and the character of the people on the back of the horse is extremely rich. 　　总之，元代钧瓷的发生发展是与当时统治者的审美倾向相关联的，以一种粗犷、奔放、大气的风格称著于世，打破了唐宋的清规戒律，突破了宋钧造型的限制，有了较大的发展空间，进入到千家万户。 　　In short, the occurrence and development of Yuan Dynasty Jun porcelain was associated with the aesthetic tendency of the ruler at that time. It was characterized by a kind of rough, rapid and atmospheric style, breaking the laws and regulations of Tang and Song Dynasty, breaking through the restrictions of Song Jun's modeling, and having a large space for development and entering thousands of families.