精品---珠山八友汪野亭瓷板画 赏析
编号：JH
品名：珠山八友汪野亭瓷板画
品类：瓷版画
规格：长：127cm 宽：39cm
价格：面议
委托单位：聚合（深圳）国际拍卖有限公司
汪野亭 (1884—1942)，名平，字鉴，号平山、平生、老平、垂钓子，亦号传芳居士，平山草堂主人，斋名平山草堂，江西省乐平县人，近现代著名绘瓷艺家。为瓷都景德镇20世纪20年代形成的珠山八友大师之一，工画花鸟、山水。在绘瓷技法上，采用油料，以水粉敷色，作品别具一格。汪野亭是20世纪前期景德镇陶瓷美术革故鼎新的著名陶瓷艺术家。他的山水画，一直为后人所仰重、仿效，足足影响了半个多世纪。他从艺30多年从未离开过景德镇，创作了许多代表那个时代的精美作品，受到了世界收藏家的青睐并争相收购。
Wang Yeting), Ping Ping, Zi Jian, Ping Shan, Ping Sheng, Lao Ping, fishing son, also known as Chuan Fang, the master of Pingshan cottage, Zhai Pingshan cottage, Leping County, Jiangxi Province, a famous modern porcelain painter. It is one of the eight masters in the 1920s. In painting techniques, oil is applied and applied with water powder. Wang Yeting was a famous ceramic artist in Jingdezhen in the early twentieth Century. His landscape paintings have been respected and imitated by later generations, which has influenced more than half a century. He has never been away from art for more than 30 years, and has created many fine works representing the era. He has been favored by the world collectors and competing for acquisitions.
丙子年为1936年为汪野亭创作晚年时期，也是汪野亭创作水平技艺成熟时期。汪野亭的作品早、中、晚期风格各异，特点突出。早期作品追随程门、金品卿等浅绛彩名家技法，采用“洋彩”画瓷，并逐渐摸索粉彩色料的调配以及使用方法，开创了用线细密，具浅绛彩风格的早期粉彩山水画；中期常用通景山水画法作品构图严谨，线条流畅洒脱；晚年作品用线粗犷，色彩明快，极显苍古与奔放之势。
此副青花山水四条屏瓷板画，共四块属上品。山水构图虚实相生，笔墨疏秀清润，山石尤称佳妙，淡皴浓苔，毫锋颖脱，墨法精微，令人叹止。施彩秀丽清雅，设色隽永，较浑然苍雅深厚之感。图中所画草亭、树木、江岸、远山等，用色鲜明，用笔古拙，笔法健劲，色彩绚丽，十分精彩。题款行书圆润厚实，笔力苍劲。绘画题材与技法使用皆荡漾出浓厚的文人意蕴。
In 1936, Bingzinian wrote for Wang Yeting in his later years, which was also a mature period of Wang Yeting's creative skills. Wang Yeting's works are characterized by different styles in the early, middle and late stages. The early works followed the techniques of famous artists such as Cheng men and Jin Pinqing. They used "Yang Cai" to draw porcelain, and gradually explored the collocation and use of pink coloured materials, and created the early pastel landscapes with fine lines and light red styles. The medieval landscape paintings were rigorous in structure and smooth in lines. Let go.
This pair of blue and white landscape four screen porcelain plate paintings, a total of four are top-quality. The composition of mountains and waters is a mixture of imaginary and real. The brush and ink are sparse and clear. The rocks and mountains are especially beautiful. They are light and thick with moss. They stand out from each other. The ink method is exquisite and astonishing. Shi Cai is beautiful and elegant, with meaningful colors, and has a deep feeling of elegance. The grass pavilions, trees, riverbanks and distant mountains in the picture are bright in colour, clumsy in style, vigorous in style and brilliant in colour. The inscription line is round and thick, with vigorous brushwork. The use of painting themes and techniques has a strong literary connotation.
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