经历了几千年历史的洗礼，木雕佛像保存下来的越来越少。佛的慈悲、菩萨之美，借木雕形神兼备的表现出来，可让现在的人们感受到木雕的魅力、造像的神奇、宗教的情怀。作为木雕中的一部分，木雕佛像展现了我们祖辈精湛的技艺、谱写了中国宗教造像艺术灿烂辉煌的篇章！
After thousands of years of baptism, the wood carving Buddha has been preserved less and less. The mercy of Buddha, the beauty of Bodhisattva, and the manifestation of the shape and spirit of wood carving can let the people feel the charm of the wood carving, the magic of the statue and the religious feelings. As a part of wood carving, the wood carving Buddha shows the superb skills of our forefathers and the splendid chapter of Chinese religious statues.
木造像形成一定风格体系且现今能看到的最早在宋代，宋代木造像多有记载入册，且保存下来的屈指可数。宋代受佛教世俗化的影响，富于现实意味和个性特点，尤其在脸相的塑造。菩萨面形圆润，宽额丰颐，眼泡鼓起，从额头到鼻梁一般凹陷下去，呈一条明显的圆弧线，与当时现实中人物面相十分接近。
In the Song Dynasty, the official wood images of the Song Dynasty were mostly recorded, and few of them were preserved. Influenced by the secularization of Buddhism, the Song Dynasty was full of realistic and individual characteristics, especially in the face. The body of the Bodhisattva is round, wide and abundant, and the blister from the forehead to the beam of the nose is generally depressed, showing a clear arc line that is very close to the face of the real people at that time.
此木雕菩萨坐像，高：43cm. 面容庄严、慈祥，造型与神态都十分生动传神，雕刻衣纹流畅、逼真。由于长期受人供奉、久历烟火薰蒸，岁月洗礼而老化虫蛀，表面色彩失去光泽，木质变轻、古朴沧桑。此木雕菩萨，刻划出生命的历史轨迹，散发着鲜活的艺术活力，宣扬着宗教的信仰精神，蕴含着深刻的教理内涵，传递着中国的传统文化、民族色彩与审美意识。
The statue of the wood carve Bodhisattva sits tall, 43cm. has a solemn face, a kindly face, and a vivid and expressive form and manner. The carving is smooth and lifelike. As a result of long-term worship, long history of fumigation, aging and worming, the surface color is shiny, wood becomes lighter and simple. This woodcarving Bodhisattva, carved out of the historical track of life, emanates vivid artistic vitality, propagates religious belief, contains profound doctrines, and conveys the traditional culture, national color and aesthetic consciousness of China.
